All posts by Ann Game

Arriving in Anghiari

Arriving in Anghiari, December 2016

 

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It was a beautiful clear winter’s day yesterday, when I arrived in Italy. On the train from Rome to Arezzo, I thought again about the quality of this winter light, and how different it is from any light-and-landscape in Australia. I find it achingly beautiful, if perhaps melancholy: the hills with that mix of olive, cypress, and late autumnal deciduous tones in a low deep sunlight. I can’t take my eyes off it.

Arriving in Arezzo, I am thrown into a busy Saturday lunchtime, and the slightly chaotic practicalities of the Avis office and manoeuvring a car into Italian city traffic. But it is in the Avis office that I again encounter the sense of welcome that I experience here. Paolo, the Avis man, who lives in San Sepolcro, and who is said to have the eyes of Piero Della Francesca’s San Giuliano, always remembers me. He greets me warmly and, this time, gives me contacts in Anghiari. First, a cousin who is a butcher, and, I note, a woman. (I haven’t been to this butcher’s shop before because it is at some distance, at the bottom of the hill, in the Tiber valley, but I have heard that it is very good. There are at least three excellent butchers in this town of some 7,000 people.)  Second, a friend, an artist who has a shop in the mediaeval part of town. This prompts a conversation about young people, and whether they stay or leave small towns around here. Stay, he says, insistently. This isn’t the common Italian pattern. I want to learn more about what happens in this place.

The final point of the long journey from Australia is the turn into Corso Matteotti, the street where I stay. This is the main Renaissance street of Anghiari, which becomes the straight road down the hill, across the Tiber valley, to San Sepolcro. Suddenly, there is a breathtaking view. And, on arrival, yesterday, the bells were ringing as I turned the corner. Late in the afternoon, the time when the town comes to life again, I headed out to do a food shop. This has become, over the years, my arrival ritual. But, the welcome I received this time was particularly pronounced, perhaps because I have returned after only a year. It did feel like a homecoming.

20161218_094358_resizedI went into three shops and, in each, I had a similar experience. It is interesting that this happens particularly when food shopping. The first shop that I went to is the unassuming ‘supermarket’ that I described in my first Anghiari blog last year. This time as I enter, the elderly couple who own the shop not only greet me with big smiles, but they come from behind the counter to hug me. I am shocked to hear that this is the last evening that they will be open. They are getting on, and their daughter doesn’t want to keep the shop going, so they are selling. Now I see that the shelves are empty. Nevertheless,  there is still some local pecorino and prosciutto to be had, as well as their own delicious olive oil. They press upon me crostini with this oil, and offer me a coffee. I am again struck by their generosity. I am glad to have been able to see them again, even if sad to see the shop empty. Somehow you don’t expect things to change here: I had just assumed that shop would always be there!

Then, off to the butcher’s. Again, the husband and wife who own this shop immediately come around the counter to welcome me with hugs (note that here is another woman butcher). When their son enters a little later, he greets me warmly, but is more formal. I am definitely ‘signora’ to him, which I presume is a matter of respect for age. (This shop doesn’t seem to be in any danger of closing as the next generation is very much involved in the family business.) I learn that the date of the annual pork festival has been changed, and that this year there will be two pigs. I buy some of their homemade ravioli for dinner, taking instructions on how to reheat it, and am encouraged to return at 11 in the morning when they will have roasted quails. As it turns out, it’s not only quails, but duck, pigeon, chicken, pheasant. This is a Sunday ritual. Yes, I return.

And, my final destination is Letizia’s fruit and vegetable shop. It is interesting to note that I don’t even know the names of the people in the other shops, and yet there is a sense of warm connection. This is not unusual in Italy; knowing people’s names is not the priority it is in our culture. In the case of Letizia, we have established the use of the informal ‘you’ between us. She is always very happy to see me (and is also  very encouraging of my Italian). This time she can’t stop hugging me. During my stays, I buy her vegetables on an almost daily basis, as people do here. The vegetables are local and extraordinarily fresh, boxes of purple artichokes, cavalo nero, spinach coming in every day. Food is so important in this culture. And, in all sorts of ways, it connects people. It connects me with this community.

Letizia advises me to buy only what I need for dinner, as I am clearly tired. Afterall, she will see me tomorrow.

 

National diary archives, Italy

 

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It was a cold and drizzly day when we visited Pieve Santo Stefano, a town some 15 kms north of Anghiari, near the source of the Tiber, which runs right through the middle of the town. Pieve is close to the birthplaces of both Michelangelo and Piero della Francesca. It was almost completely destroyed by the retreating German army during the second world war, and the non-descript postwar buildings contributed to a bleakness about the day of our visit. By contrast, what awaited us was yet another experience of the gracious hospitality we had been shown while staying in this part of Tuscany. Continue reading National diary archives, Italy

Conversione di S. Paolo

I have written about Caravaggio’s La Conversione di S. Paolo images(Chiesa di S. Maria del Popolo, Roma) before (in The Mystery of Everyday Life, and ‘Falling’), but, in the light of the recent posts on failure, I have been rethinking my previous take on this painting. I happened to see it again at the same time as I was reading these posts. Continue reading Conversione di S. Paolo

Madonna con Bambino

madonna con bambino

While exploring many archaeological sites, galleries and museums in Turkey and Italy, I felt in awe of the human achievement – not just the achievement of the artists but of the archaeologists, curators and restorers involved in preserving the work of centuries. Then, on a day when I thought I couldn’t possibly enjoy one more painting, sculpture or fresco – let alone yet another ‘Madonna con Bambino’ – this painting by Tommaso Maria Conca (in the Pinacoteca Comunale, Città di Castello) – touched my heart. See how the wise-looking, clear-eyed baby seems to be comforting his mother. Yet this is the wrong order of things – a mother should comfort her child. This, and the woman’s inward-looking expression, caused me to feel immense pity for her. She is in pain and at the same time resigned. Nothing she can do will prevent the fate that awaits her precious son.

Madonna col Bambino; 1795-1797 ca. Olio su tela; 55 x 40cm.

(Fototeca della Fondazione Federico Zeri)

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(- Carolyn Parfitt)

La festa di porco

 

On Christmas Eve the butcher (snr) was quite insistent that we come along to an event that was to be held on the 27th. From mid-afternoon, he and his son would be butchering a whole pig in a piazza just down from their shop, and there would be a party. This was clearly a major event that we were not to miss. We made our plans for the following days around it.

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Continue reading La festa di porco

Caffé Garibaldi

The bar is ubiquitous in Italy. Like the piazza, it is a space where people pause and meet. Here, in Anghiari, my favourite bar is the Caffé Garibaldi, located in the main piazza, where, not surprisingly, there is a statue of the man himself. DSCN1418
There are three other bars within less than a minute’s walk from this one, all of which have a constant stream of people dropping in as they go about their daily activities. Continue reading Caffé Garibaldi

La Verna

La Verna is a Francescan sanctuary located on an isolated mountain, high in the Apennines. The location is breathtaking. The monastery itself is beautiful in an austere, Romanesque and early Renaissance sort of way, although this can be deceptive, because, the basilica and all the little chapels have the most glorious Della Robbia ceramics. You just have to open a small door to find another of these pieces right in front of you. Continue reading La Verna

Learning Italian

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For the past few months, I have been having Italian lessons with a wonderful teacher who has insisted that I just speak – ‘avanti, avanti’ – without thinking about making perfect sentences, without worrying about making mistakes. ‘Keep it simple’, my teacher says, ‘listen’, and ‘ask questions’. This is the way to make contact. If you are thinking about grammar and how to construct your next sentence, you’re likely to lose contact. Continue reading Learning Italian